Summer Talks: Gestural Interfacing: Difference between revisions
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{{ | {{Event | ||
|Name=Summer Talks: | |Name=Summer Talks: Gestural Interfacing | ||
|Location=De Punt, Frans de Wollantstraat 84, 1018 SC Amsterdam | |Location=De Punt, Frans de Wollantstraat 84, 1018 SC Amsterdam | ||
|Date=2015/08/07 | |Date=2015/08/07 | ||
| Line 12: | Line 12: | ||
Since the early noughties Bailey has ploughed a compelling, and often hilarious, road through the various developments of digital communications technologies. Ostensibly a satire on, and parody of, the practices and language of "new media," the jocose surface of Bailey's work hides an incisive exploration of the critical intersection between video, computing, performance, and the body. The unique terrain of Bailey's work sits between a collision of the rarefied and the populist. | Since the early noughties Bailey has ploughed a compelling, and often hilarious, road through the various developments of digital communications technologies. Ostensibly a satire on, and parody of, the practices and language of "new media," the jocose surface of Bailey's work hides an incisive exploration of the critical intersection between video, computing, performance, and the body. The unique terrain of Bailey's work sits between a collision of the rarefied and the populist. | ||
[[File:Bailey.jpg|Gestural Interfacing| | [[File:Bailey.jpg|Gestural Interfacing|thumb]] | ||
[[File:Bailey2.jpg|Gestural Interfacing| | [[File:Bailey2.jpg|Gestural Interfacing|thumb]] | ||
[[Category:Appendix]] | [[Category:Appendix]] | ||
Latest revision as of 13:30, 13 December 2017
| Summer Talks: Gestural Interfacing | |
|---|---|
| Name | Summer Talks: Gestural Interfacing |
| Location | De Punt, Frans de Wollantstraat 84, 1018 SC Amsterdam |
| Date | 2015/08/07 |
| Time | 20:00-20:30 |
| PeopleOrganisations | Jeremy Bailey |
| Type | HDSA2015 |
| Web | Yes |
| Yes | |
Jeremy Bailey is a Toronto-based Famous New Media Artist whose work explores custom software in a performative context. Since the early noughties Bailey has ploughed a compelling, and often hilarious, road through the various developments of digital communications technologies. Ostensibly a satire on, and parody of, the practices and language of "new media," the jocose surface of Bailey's work hides an incisive exploration of the critical intersection between video, computing, performance, and the body. The unique terrain of Bailey's work sits between a collision of the rarefied and the populist.
