The Universe of ( ) Images: Difference between revisions
No edit summary |
No edit summary |
||
| (8 intermediate revisions by one other user not shown) | |||
| Line 5: | Line 5: | ||
|Time=10:00-17:00 | |Time=10:00-17:00 | ||
|PeopleOrganisations=Hackers & Designers, Froh!, Fanfare | |PeopleOrganisations=Hackers & Designers, Froh!, Fanfare | ||
|Type= | |Type=Workshop | ||
|Web=Yes | |Web=Yes | ||
|Print=No | |Print=No | ||
}} | }} | ||
[[File:Autocomplete.gif]] | [[File:Autocomplete.gif]] | ||
The long-held idea of images as proof of reality vanished. Washed away by manipulative practices of image production our hyper-visual media streams have become highly subjective and emotional. Authenticity claims to be the new challenge while power structures shift and users become creators. | The long-held idea of images as proof of reality vanished. Washed away by manipulative practices of image production our hyper-visual media streams have become highly subjective and emotional. Authenticity claims to be the new challenge while power structures shift and users become creators. | ||
<gallery> | <gallery> | ||
| Line 29: | Line 25: | ||
</gallery> | </gallery> | ||
Together we | Within two 48 hour workshops we explored the shift of construction and perception of 'truth' in visual culture. Images and videos that long served as pieces of evidence, can now be modified by technical means and thus be manipulated in visible as well as invisible manner. | ||
[[File:Universegif1.gif|thumb]] | |||
At the same time our use and understanding of the notion of truth and reality has heavily changed. 'White lies' and 'alternative facts' are buzzwords that illustrate how truth is about to turn into a subjective concept. Meanings and images are being tweaked to gain power, sympathy or trust. | |||
[[File:Universegif2.gif|thumb]] | |||
Together we looked at the role of technical applications within the de-/construction of truth. How can the tools we build and use shape how we publish and consume media? Who can we trust when the concept of truth has vanished? Can ideas of 'subjectivity' replace the notions of objectivity and rationality? … | |||
[[File:Universegif3.gif|thumb]] | |||
We invited young journalists, hackers, photographers, designers, filmmakers, programmers and visual makers to two weekends of experimenting, exploring, questioning, hacking, designing and publishing. The course was led by the Dutch initiative Hackers & Designers from Amsterdam and the German non-profit organisation [[Froh!]] from Cologne. Together they built a team of journalists, designers, artists and hackers. They were joined by two experts: [[Hay Kranen]] and [[Coralie Vogelaar]] with input and guidance. The project was run on two weekends and in two cities: Amsterdam and Cologne. | |||
[[File:Universegif4.gif|thumb]] | |||
This first weekend | |||
This first weekend in Amsterdam was kicked off with [[The Universe of ( ) Images Symposium|a public symposium]]. | |||
==Program== | ==Program== | ||
| Line 43: | Line 54: | ||
* '''Saturday November 24''' | * '''Saturday November 24''' | ||
10am–6pm | 10am–6pm | ||
workshop at fanfare | workshop at fanfare | ||
* '''Sunday November 25''' | * '''Sunday November 25''' | ||
10am–4pm | 10am–4pm | ||
workshop at fanfare | workshop at fanfare | ||
'''Resources:''' | |||
*[https://docs.google.com/spreadsheets/d/1pFwTb27wuJQnG0vqOAipa6IVrfk4ewPTZx4qIv8QfAc/edit#gid=0 Coralie's tools] * [https://github.com/hay/facetool Facetool by Hay Kranen] | |||
''Second part of the workshop: 7–9 December in Cologne!'' | ''Second part of the workshop: 7–9 December in Cologne!'' | ||
[[File:Universegif5.gif|thumb]] | |||
Latest revision as of 01:57, 12 September 2024
| The Universe of ( ) Images | |
|---|---|
| Name | The Universe of ( ) Images |
| Location | Fanfare |
| Date | 2018/11/23-2018/11/25 |
| Time | 10:00-17:00 |
| PeopleOrganisations | Hackers & Designers, Froh!, Fanfare |
| Type | Workshop |
| Web | Yes |
| No | |
The long-held idea of images as proof of reality vanished. Washed away by manipulative practices of image production our hyper-visual media streams have become highly subjective and emotional. Authenticity claims to be the new challenge while power structures shift and users become creators.
Within two 48 hour workshops we explored the shift of construction and perception of 'truth' in visual culture. Images and videos that long served as pieces of evidence, can now be modified by technical means and thus be manipulated in visible as well as invisible manner.
At the same time our use and understanding of the notion of truth and reality has heavily changed. 'White lies' and 'alternative facts' are buzzwords that illustrate how truth is about to turn into a subjective concept. Meanings and images are being tweaked to gain power, sympathy or trust.
Together we looked at the role of technical applications within the de-/construction of truth. How can the tools we build and use shape how we publish and consume media? Who can we trust when the concept of truth has vanished? Can ideas of 'subjectivity' replace the notions of objectivity and rationality? …
We invited young journalists, hackers, photographers, designers, filmmakers, programmers and visual makers to two weekends of experimenting, exploring, questioning, hacking, designing and publishing. The course was led by the Dutch initiative Hackers & Designers from Amsterdam and the German non-profit organisation Froh! from Cologne. Together they built a team of journalists, designers, artists and hackers. They were joined by two experts: Hay Kranen and Coralie Vogelaar with input and guidance. The project was run on two weekends and in two cities: Amsterdam and Cologne.
This first weekend in Amsterdam was kicked off with a public symposium.
Program
- Friday November 23
6–9pm Kick off Symposium at fanfare with Arthur Steiner and Leonardo Dellanoce, Colm O’Neill, fanfare
- Saturday November 24
10am–6pm workshop at fanfare
- Sunday November 25
10am–4pm workshop at fanfare
Resources:
Second part of the workshop: 7–9 December in Cologne!
The project The Universe of [ ] Images is funded by Fonds Soziokultur and Fonds voor Cultuurparticipatie
