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	<title>Translations:&#039;Figuring Things Out Together&#039; @TROEF Leiden/4/en - Revision history</title>
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	<updated>2026-05-09T19:33:04Z</updated>
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		<title>FuzzyBot: Importing a new version from external source</title>
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		<updated>2023-12-20T14:55:04Z</updated>

		<summary type="html">&lt;p&gt;Importing a new version from external source&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Manifold contexts shape articulations around workshops, different workshop meanings, materializations, practices, and legacies. The &amp;#039;workshop&amp;#039; – an ambiguous yet popular format for time-boxed collaboration is co-opted frequently, crossing boundaries between art and activism, between different disciplines and institutions, between commercial, educational contexts. The overuse as well as confusing use of the term &amp;#039;workshop&amp;#039; and the it’s pervasiveness within this vast range of domains and practices raises the question, why and how are workshops valued and practiced? &lt;br /&gt;
As a flexible format, the workshop seems to fulfill momentary needs and supposedly can be adapted to &amp;#039;any&amp;#039; context, tackling &amp;#039;any&amp;#039; issue. However,  workshops, in their temporary, semi-committed and ad-hoc utterances, need to be considered also a consequence of uncertain times, contingent and fragmented work and social relations. &lt;br /&gt;
 &lt;br /&gt;
Drawing from the workshop-based practice of the Hackers &amp;amp; Designers collective this installation and workshop series pays critical attention to the workshop, more specifically we will focus on the relation of workshops, collective practice and self-publishing. It is part of a series of activities, which comprise a distributed, iterative publishing cycle and will materialize as an on and offline publication.&lt;/div&gt;</summary>
		<author><name>FuzzyBot</name></author>
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