3DPD – Film Night - Revision history

Hd-onions at 18:14, 20 December 2023

2023-12-20T18:14:11Z

← Older revision		Revision as of 20:14, 20 December 2023
Line 15:		Line 15:


	Following up on the On&/Off the film program of the H&D Summer Academy we invited Yin Aiwen (Monolithm) to co-curate another film program with us to investigate larger societal questions about our reliance on dominant forms of technology, and grids, the value of understanding the systems that we are embedded in, and the ability to open up and appropriate technology in all of its manifestations.		Following up on the On&/Off the film program of the H&D Summer Academy we invited [[Yin Aiwen]] [[Monolithm]] to co-curate another film program with us to investigate larger societal questions about our reliance on dominant forms of technology, and grids, the value of understanding the systems that we are embedded in, and the ability to open up and appropriate technology in all of its manifestations.


Line 24:		Line 24:
	Entrance: Pay what you want		Entrance: Pay what you want

	[[File:Juliette-still.jpg\|Still from "A TRIPTYCH FANTASY ON LOCAL FOOD" A film by Juliette Lizotte\|thumb]]		[[File:Juliette-still.jpg\|Still from "A TRIPTYCH FANTASY ON LOCAL FOOD" A film by [[Juliette Lizotte]]\|thumb]]

Hd-onions at 14:45, 12 January 2020

2020-01-12T14:45:36Z

← Older revision		Revision as of 16:45, 12 January 2020
Line 9:		Line 9:
	\|Print=No		\|Print=No
	}}		}}
	[[File:3dpd.jpg\|image by Yin Aiwen~~\|thumb~~]]		[[File:3dpd.jpg\|image by Yin Aiwen]]

	3DPD, “three-dimensional pig disgusting”, was a kind of code for net friends, who inhabited in the 2D screens, meeting in the real world — when Internet was still the outlaw from “real life”. Now the boundaries between 2D and 3D have blurred to a point that we can no longer tell the distinctions between the real and the virtual by dissecting pixels and dust. Being on or off the grid is no longer just a switch between the digital and the physical, but an entangled trans(bio-)political issue. Film night “3DPD” will take a critical look at this fusion of two worlds with three films:		3DPD, “three-dimensional pig disgusting”, was a kind of code for net friends, who inhabited in the 2D screens, meeting in the real world — when Internet was still the outlaw from “real life”. Now the boundaries between 2D and 3D have blurred to a point that we can no longer tell the distinctions between the real and the virtual by dissecting pixels and dust. Being on or off the grid is no longer just a switch between the digital and the physical, but an entangled trans(bio-)political issue. Film night “3DPD” will take a critical look at this fusion of two worlds with three films:

Hd-onions at 14:32, 13 December 2017

2017-12-13T14:32:35Z

← Older revision		Revision as of 16:32, 13 December 2017
Line 24:		Line 24:
	Entrance: Pay what you want		Entrance: Pay what you want

	[[File:Juliette-still.jpg~~\|thumb~~\|Still from "A TRIPTYCH FANTASY ON LOCAL FOOD" A film by Juliette Lizotte]]		[[File:Juliette-still.jpg\|Still from "A TRIPTYCH FANTASY ON LOCAL FOOD" A film by Juliette Lizotte\|thumb]]

Hd-onions at 14:32, 13 December 2017

2017-12-13T14:32:12Z

← Older revision		Revision as of 16:32, 13 December 2017
Line 9:		Line 9:
	\|Print=No		\|Print=No
	}}		}}
	[[File:3dpd.jpg~~\|thumb~~\|image by Yin Aiwen]]		[[File:3dpd.jpg\|image by Yin Aiwen\|thumb]]

	3DPD, “three-dimensional pig disgusting”, was a kind of code for net friends, who inhabited in the 2D screens, meeting in the real world — when Internet was still the outlaw from “real life”. Now the boundaries between 2D and 3D have blurred to a point that we can no longer tell the distinctions between the real and the virtual by dissecting pixels and dust. Being on or off the grid is no longer just a switch between the digital and the physical, but an entangled trans(bio-)political issue. Film night “3DPD” will take a critical look at this fusion of two worlds with three films:		3DPD, “three-dimensional pig disgusting”, was a kind of code for net friends, who inhabited in the 2D screens, meeting in the real world — when Internet was still the outlaw from “real life”. Now the boundaries between 2D and 3D have blurred to a point that we can no longer tell the distinctions between the real and the virtual by dissecting pixels and dust. Being on or off the grid is no longer just a switch between the digital and the physical, but an entangled trans(bio-)political issue. Film night “3DPD” will take a critical look at this fusion of two worlds with three films:

Fincato at 12:08, 13 December 2017

2017-12-13T12:08:42Z

← Older revision		Revision as of 14:08, 13 December 2017
Line 24:		Line 24:
	Entrance: Pay what you want		Entrance: Pay what you want

	[[File:Juliette-still.jpg\|~~1000px~~\|Still from "A TRIPTYCH FANTASY ON LOCAL FOOD" A film by Juliette Lizotte]]		[[File:Juliette-still.jpg\|thumb\|Still from "A TRIPTYCH FANTASY ON LOCAL FOOD" A film by Juliette Lizotte]]

Fincato at 12:00, 13 December 2017

2017-12-13T12:00:06Z

← Older revision		Revision as of 14:00, 13 December 2017
Line 9:		Line 9:
	\|Print=No		\|Print=No
	}}		}}
	[[File:3dpd.jpg\|~~1000px~~\|image by Yin Aiwen]]		[[File:3dpd.jpg\|thumb\|image by Yin Aiwen]]

	3DPD, “three-dimensional pig disgusting”, was a kind of code for net friends, who inhabited in the 2D screens, meeting in the real world — when Internet was still the outlaw from “real life”. Now the boundaries between 2D and 3D have blurred to a point that we can no longer tell the distinctions between the real and the virtual by dissecting pixels and dust. Being on or off the grid is no longer just a switch between the digital and the physical, but an entangled trans(bio-)political issue. Film night “3DPD” will take a critical look at this fusion of two worlds with three films:		3DPD, “three-dimensional pig disgusting”, was a kind of code for net friends, who inhabited in the 2D screens, meeting in the real world — when Internet was still the outlaw from “real life”. Now the boundaries between 2D and 3D have blurred to a point that we can no longer tell the distinctions between the real and the virtual by dissecting pixels and dust. Being on or off the grid is no longer just a switch between the digital and the physical, but an entangled trans(bio-)political issue. Film night “3DPD” will take a critical look at this fusion of two worlds with three films:

Hd-onions at 20:42, 12 December 2017

2017-12-12T20:42:51Z

← Older revision		Revision as of 22:42, 12 December 2017
Line 11:		Line 11:
	[[File:3dpd.jpg\|1000px\|image by Yin Aiwen]]		[[File:3dpd.jpg\|1000px\|image by Yin Aiwen]]

	~~DPD~~, “three-dimensional pig disgusting”, was a kind of code for net friends, who inhabited in the 2D screens, meeting in the real world — when Internet was still the outlaw from “real life”. Now the boundaries between 2D and 3D have blurred to a point that we can no longer tell the distinctions between the real and the virtual by dissecting pixels and dust. Being on or off the grid is no longer just a switch between the digital and the physical, but an entangled trans(bio-)political issue. Film night “3DPD” will take a critical look at this fusion of two worlds with three films:		3DPD, “three-dimensional pig disgusting”, was a kind of code for net friends, who inhabited in the 2D screens, meeting in the real world — when Internet was still the outlaw from “real life”. Now the boundaries between 2D and 3D have blurred to a point that we can no longer tell the distinctions between the real and the virtual by dissecting pixels and dust. Being on or off the grid is no longer just a switch between the digital and the physical, but an entangled trans(bio-)political issue. Film night “3DPD” will take a critical look at this fusion of two worlds with three films:
	A Triptych Fantasy on Local Food (FR/NL), Akihabara Geeks (JP), and The Fragility of Life (NL).		A Triptych Fantasy on Local Food (FR/NL), Akihabara Geeks (JP), and The Fragility of Life (NL).

Hd-onions at 20:12, 12 December 2017

2017-12-12T20:12:57Z

← Older revision		Revision as of 22:12, 12 December 2017
Line 9:		Line 9:
	\|Print=No		\|Print=No
	}}		}}
	[[File:3dpd.jpg\|image by Yin Aiwen]]		[[File:3dpd.jpg\|1000px\|image by Yin Aiwen]]

	DPD, “three-dimensional pig disgusting”, was a kind of code for net friends, who inhabited in the 2D screens, meeting in the real world — when Internet was still the outlaw from “real life”. Now the boundaries between 2D and 3D have blurred to a point that we can no longer tell the distinctions between the real and the virtual by dissecting pixels and dust. Being on or off the grid is no longer just a switch between the digital and the physical, but an entangled trans(bio-)political issue. Film night “3DPD” will take a critical look at this fusion of two worlds with three films:		DPD, “three-dimensional pig disgusting”, was a kind of code for net friends, who inhabited in the 2D screens, meeting in the real world — when Internet was still the outlaw from “real life”. Now the boundaries between 2D and 3D have blurred to a point that we can no longer tell the distinctions between the real and the virtual by dissecting pixels and dust. Being on or off the grid is no longer just a switch between the digital and the physical, but an entangled trans(bio-)political issue. Film night “3DPD” will take a critical look at this fusion of two worlds with three films:
Line 16:		Line 16:

	Following up on the On&/Off the film program of the H&D Summer Academy we invited Yin Aiwen (Monolithm) to co-curate another film program with us to investigate larger societal questions about our reliance on dominant forms of technology, and grids, the value of understanding the systems that we are embedded in, and the ability to open up and appropriate technology in all of its manifestations.		Following up on the On&/Off the film program of the H&D Summer Academy we invited Yin Aiwen (Monolithm) to co-curate another film program with us to investigate larger societal questions about our reliance on dominant forms of technology, and grids, the value of understanding the systems that we are embedded in, and the ability to open up and appropriate technology in all of its manifestations.


	Doors open 19:00		Doors open 19:00
Line 23:		Line 24:
	Entrance: Pay what you want		Entrance: Pay what you want

	[[File:Juliette-still.jpg\|Still from "A TRIPTYCH FANTASY ON LOCAL FOOD" A film by Juliette Lizotte]]		[[File:Juliette-still.jpg\|1000px\|Still from "A TRIPTYCH FANTASY ON LOCAL FOOD" A film by Juliette Lizotte]]

Hd-onions at 20:12, 12 December 2017

2017-12-12T20:12:07Z

← Older revision		Revision as of 22:12, 12 December 2017
Line 1:		Line 1:
	{{Event		{{Event
	\|Name=Film Night		\|Name=3DPD – Film Night
	\|Location=Lab111		\|Location=Lab111
	\|Date=2017/12/21		\|Date=2017/12/21

Hd-onions: Hd-onions moved page Film Night to 3DPD – Film Night: More specific

2017-12-12T20:11:44Z

Hd-onions moved page Film Night to 3DPD – Film Night: More specific

← Older revision	Revision as of 22:11, 12 December 2017
(No difference)